{"id":60,"date":"2009-06-03T08:45:36","date_gmt":"2009-06-03T13:45:36","guid":{"rendered":"http:\/\/blog.law.cornell.edu\/tbruce\/2009\/06\/03\/whats-opera-doc-a-note-to-our-supporters-past-and-future\/"},"modified":"2009-06-03T09:00:44","modified_gmt":"2009-06-03T14:00:44","slug":"whats-opera-doc-a-note-to-our-supporters-past-and-future","status":"publish","type":"post","link":"https:\/\/blog.law.cornell.edu\/tbruce\/2009\/06\/03\/whats-opera-doc-a-note-to-our-supporters-past-and-future\/","title":{"rendered":"What’s opera, doc? A note to our supporters, past and future."},"content":{"rendered":"

Somewhere in the snowdrift of paper on my desk is a program from an opera performance I attended a few months ago.\u00a0 Among other things, it’s a document that tells you what the opera company is doing and who, specifically, is doing it.\u00a0 It\u00a0 also tells you — less directly — who’s paying, and how.\u00a0 Among other things in it, I found:<\/p>\n